“If you would come to me
Arms open.. As wide as a field of tulips in Holland
As narrow as the veins of my left hand…
As immense as a miracle
As mediocre as an awaited death
If you would come to me
Naked as the last autumn leaf in a London park
Covered like the veiled face of a shy bride
As mysterious as the kohled blue eyes of the Tetuan tribe
Clear as the blade that cuts who we were from who we are
If only you would come to me
With the longing of months of drought
Like the first October rain
If only you would come with the slow footsteps of Sahara men
With the flurry of a barking dog
Mad as a bull in the middle of an arena in Madrid
Vanquished and prideful like the last matador…
If only you would come to me…
From the sparkle in your right eye…
From the dryness in your lower lip…
I’ll set the rest of this burning city
Tag Archives: age
“If you would come to me
German shepherds are undoubtedly the most beautiful and intelligent animals you could ever own. They are fiercely loyal, and, if trained properly, will become an inseparable member of your family. However, if left to their own devices, German Shepherds become bored, agitated, snappy and — in some cases — a threat to society. They are a strong animal, and they need and expect, strong, kind leadership from their masters. The most important aspect of training German Shepherds that you need to understand, is that it is time intensive. You can be reassured that it is time well spent. A Healthy Relationship Is The Foundation Of All Training A dog that is fearful of it’s owner, translates that fear into self-defense and disobedience. Your pet needs to learn that it can trust and love you. So many people feel like they need to be overly aggressive with their pet in order to get obedience. Obedience is important, but that comes more from consistency than from how harshly you discipline your pet. What is unfortunate is that most dog owner refuse to learn how to be a good owner. And so they over-react to their dog’s behavioral issues and blame their pets for problems that actually stem from the poor owner-pet relationship. I highly recommend that you invest in some training. Not just to learn how to teach your dog to behave, but also to teach you how to better communicate with your pet. Sure, that might cost you a little time and money, but the enrichment that comes out of your life is well worth it.
When you consider that GSD’s are the highest rate of bites that the local emergency room sees, it underscores how important good training is.
And spending quality time simply being a good dog owner goes a long ways towards beginning to establishing your pet’s training.
Training Begins With Engaging Play
Because so many behavioral issues arise out of sheer boredom, it is critical that you provided a variety of activities — and plenty of human interaction — to keep your GSD mentally engaged.
A bored German shepherd will be so busy trying to play, bark, annoy, and get your attention that training sessions will be nothing short of infuriating for both of you. A bored puppies don’t train well.
Long walks, playing in the park and wrestling with a chew toy, are all great ways to engage your puppy in active play. If you have a dog park in your town, your pet will undoubtedly love getting to run free and interact with the other dogs.
Training as play can be very engaging. Teaching your pet to catch a frisbee can lead to hours of insane fun for the both of you.
Training German Shepherds Not to Bite or be Aggressive
German shepherds are not naturally aggressive, and when you meet an aggressive German shepherd, it typically means the it has experienced unhappy upbringing.
There are several key things that need to happen when a German shepherd is a puppy to help it become the calm, balanced and adult it should be.
To begin with, you wanted to be well socialized with other dogs. Taking it to a puppy dog park, or to arrange to play dates, can be a great way for it to learn to healthily interact with other dogs, and help it become a more established individual.
Secondly, it is key that you do not hit or yell at your puppy. German shepherds that are abused as young dogs tend to imprint with more aggressive behavior as adults.
Finally, it is important that your puppy learns to recognize you as its master, or “pack leader”. Being firm, quiet, and praising good behavior, all go a long way in helping a puppy learn how it is to respond as an adult.
This is especially important with a puppy’s biting behavior. Puppies are more inclined to bite and gnaw on people they do not see as their leaders. You should establish your alpha role at an early age: start teaching your puppy to “heel” on walks, and make sure that it follows after you through doors, as that is a sign of the respecting your role as pack leader to let you go first.
In addition, use strong verbal commands such as “No” when a puppy tries biting.
Provide puppies with chew toys and make sure they get plenty of exercise to help them work off their orneriness
Use Structured Obedience Training As A Mental Exercise
Beginning at about eight weeks of age, German shepherds are ready to begin formal training. You can enroll them in a local obedience class, or trying one of the top-notch training programs that are listed online.
For a German shepherd, obedience training is more important than it is for many other breeds. Obedience training helps develop a German shepherds cognitive abilities, and goes a long ways towards helping it become satisfied with his role in the family. It also helps fight boredom, and gives them something to look forward to.
It is an absolute must if you mean for your German shepherd to become a long-term member of your family.
by Paul Steiger
ProPublica, Feb. 7, 2014, 1 p.m.
This morning, ProPublica founder and executive chairman Paul Steiger received the William Allen White Foundation National Citation from the University of Kansas’s White School of Journalism and Mass Communications in Lawrence. Here are his remarks.
I’m honored to be here in Lawrence for the second time in 48 years. In the summer of 1966, having spent nearly all my life within 75 miles of New York City, I was driving across our great country on my way to California. In the late afternoon, one of those explosive thunderstorms you Kansans are familiar with poured rain in such sheets as to force me to pull over for 15 or 30 minutes till it passed. Then came one of those gorgeous, sun-dappled, cool and peaceful evenings that I suspect you also know well. A half century later I still remember it.
In the intervening years I confess to having thought about this place for two things: your great basketball teams, and your great journalists. It has been my privilege to work with some of those journalists: Jerry Seib and Barbara Rosewicz. Kevin Helliker. Danforth Austin. Steve Frasier. To name a few. And then of course there is William Allen White, whose name adorns this great school and the citation that I am overwhelmed to receive today.
No, I didn’t work with him, although some of my 20-something colleagues at ProPublica think I go back that far. He died when I was two, in 1944. But like many journalists, I’ve long known of and admired Mr. White, and why not? Multiple Pulitzer winner. The voice of Middle America who lived here all his life yet made time to travel east and write pathbreaking pieces for the cutting-edge, New York-based national magazine, McClure’s. Mr. White without question was one of the leaders of a great revolution in journalism, which parallels in some ways the revolution taking place today.
In fact, in her latest marvelous book, The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism , historian Doris Kearns Goodwin applies that gleaming, golden label to the early decades of Mr. White’s era. [See her ProPublica podcast on the subject here. ]
It was certainly a golden age. Whether it was the golden age is something we could argue about. Indeed, some Internet writers and publishers have taken to contending recently that our current era is the best ever for American journalism — this only a brief time after others took to declaring that the loss of billions of dollars of advertising revenue and tens of thousands of jobs at metro newspapers was driving us into a journalistic wasteland.
That leads me to what I’d like to talk with you about today. My interest isn’t so much to determine what was the golden age of journalism, although I have a candidate, which I will make a case for in a moment.
My real interest, sitting where we do in a period of incredibly rapid change, is what should we want in a new golden age? I confess to having more questions than answers, so I look forward to hearing from you in the comment period.
Let’s start by taking a close look at the period that Doris Goodwin, with her historian’s perspective, describes as American journalism’s finest hour. It began, she tells us, in the 1880s and 1890s, a time in some ways like our own, with major changes in the economy involving first rapid growth and industrialization, and then, in 1893, a crash that produced huge unemployment and hardship. Through it all, there was a major surge in inequality.
The urban poor lived in squalid tenements. Factory workers endured crushingly low wages, six-day work weeks, dangerous conditions on the job, and the ability of owners to fire them at will. The giant trusts and the all-powerful railroads manipulated freight rates and other prices to squeeze growers and small entrepreneurs, in the end driving many into bankruptcy and seizing their businesses or lands.
Meanwhile, the rich lived in mansions with servants and took their children on grand tours of Europe. America, the land of the citizen farmer, the industrious merchant, and the emancipated slave, increasingly took on notions of class. A brilliant and gregarious student at Harvard, New York mansion-dweller Teddy Roosevelt worried that some of the classmates he thought to befriend might be from families of insufficient standing.
At the same time, Roosevelt had a passion for public service and a liking for journalists. Unlike many political and business leaders, then and now, he didn’t fear being criticized or misquoted by reporters. Rather, he boldly assumed he could make common cause with them. So when the assassination of William McKinley in 1901 made the 42-year-old Roosevelt our nation’s youngest president, he had already built a network of reporters and writers to whom he gave extraordinary access, whose advice he sought and sometimes followed, and who often helped explain his positions favorably to the public.
A key to TR’s journalistic network was a group of extraordinary writers assembled by a once penniless Irish immigrant, S.S. McClure, to work on the magazine he called, simply, McClure’s.
Then as now, technology aided change. The newly perfected process of photoengraving was both cheaper and faster than traditional woodcuts, and Sam McClure made good use of it.
He also used his powerful talent as an editor to inspire the great writers he had collected. In particular, he sent them on missions to dig deep into the secrets of the powerful, and to reveal them in enthralling narratives. The approach was rare in American journalism. It caught on soon with the public — who made McClure’s a financial success — and with competitors, who sought to imitate the approach.
All came together in the January 1903 McClure’s , a truly extraordinary issue containing three powerful exposes: Lincoln Steffens on the corrupt mayor of Minneapolis, Ray Stannard Baker on misbehavior in the nascent labor movement, and the first installment of what is justly revered as one of the greatest feats of investigative reporting ever, Ida Tarbell’s mammoth inquisition into rapacious business practices by John D. Rockefeller and the Standard Oil Trust.
It took eight long years, but Tarbell’s chapter-and-verse reporting served as a guide for a federal government lawsuit to break up the trust. The suit finally broke through Rockefeller’s legions of lawyers and political supporters to win at the Supreme Court.
By that time, however, the magazine had collapsed, in part because of McClure’s moods and unpredictable rages at the staff, and his insistence that the poetry editor publish submissions by a young woman with whom he had had an affair.
The public was also tiring of the expose form. Some of McClure’s competitors were not so scrupulous about their reporting and relied on bombastic rhetoric and name calling when the facts were insufficiently at hand. In 1906, that great friend of journalists, President Roosevelt, diluted his support by giving a speech, first off the record at the annual Gridiron Club dinner in Washington, and then in public , a month later.
Roosevelt used the image of the muckraker to describe writers who focused only on the negative. While he expressed backing for those who carefully documented what they wrote, his assault on what he termed “sensational, lurid and untruthful” articles overwhelmed the positive words, Goodwin concluded. TR’s view took hold, and an era of broad public support for expose journalism came to an end.
The terms muckraking and muckraker, of course, were actually embraced, not shunned, by the McClure’s writers and are used today as terms of approbation by investigative reporters. At ProPublica we label “Muckreads ” a section of our website in which we highlight interesting investigative reporting by journalists other than our own. Even so, for much of the first half of the 20th Century, this kind of work faded from prominence. Its practitioners had made a strong record and established reporting and writing models that influenced how journalists work today. But I can think of at least one period in which the accomplishments of journalists surpassed these.
The period that I would anoint as the golden era in American journalism was from the mid 1950s to the mid 1970s. It had three separate major strands: the Civil Rights struggle over integration of schools and public facilities in the South; the Vietnam War; and Watergate.
Once again, there was interaction with technology. In this period, the ability to take television outdoors and get footage on the air rose progressively, and in all three cases — Civil Rights, Vietnam, and Watergate — TV combined with print to multiply the power of each form of reporting.
In addition, during this period there was a much greater role for aggressive spot-news reporting of dramatic and sometimes violent events, often at considerable personal risk to reporters and photographers. It brought home to the public appalling behavior by people in authority, including sheriffs in the American South and soldiers in Vietnam.
The trigger for major print and TV coverage of the Civil Rights movement was the unanimous 1954 Supreme Court decision outlawing school segregation, reversing the “separate but equal” decision of 58 years earlier, and generating outrage among many white Southerners. Then, rather than go forward with plans to implement the ruling, Arkansas Governor OrvalFaubus in September 1957 suddenly ordered out National Guard troops to block the planned entrance of nine black students into the city’s all-white Central High School.
A month later, President Dwight Eisenhower federalized the Guard troops, who swiftly enforced the enrollment of the black children. This set off a decade of struggle all across the South between segregationist whites and determined blacks, who demanded their rights not only to integrated schooling but also to vote and to use the same bus seats, restaurants and lunch counters, restrooms, and other public facilities as whites did.
In little more than a decade, they won most of their objectives, by a combination of their own efforts and by the actions of a horde of journalists, some from the black press but many Southern-born-and-raised whites who rejected the white-supremacist views of their parents and cousins.
The Race Beat , a 2006 book by two journalist sons of the South, Gene Roberts and Hank Klibanoff, is a fine guide to this history and many of the brave and colorful characters who lived it. Among them, besides Roberts himself, were Claude Sitton of the New York Times, Karl Fleming of Newsweek, Haynes Johnson of the Washington Star, and three Pulitzer Prize winners at the Atlanta Journal & Constitution — Gene Patterson, Ralph McGill and Jack Nelson.
On the television side were John Chancellor and Richard Valeriani at NBC, Dan Rather and Nelson Benton at CBS, and many others. Their network status didn’t spare them. Valeriani had his head bashed in by an Alabama state trooper; a nearby cameraman watching blood spurt from his head couldn’t believe he’d survive. Rather had a shotgun poked into his ribs.A soundman pressed a pistol against the man’s head and persuade him to pull back the shotgun.
The print reporting conveyed what smoke or tear gas or the lack of equipment in the right place prevented the cameras from catching; cameras pointed in the right position captured action that neither reporters nor cameraman could spot. And then, at times, there was the perfect — and perfectly horrific — moment.
March 7, 1965. Bloody Sunday. Some 500 demonstrators start to cross the Edmund Pettusbridge near Selma, Alabama. They are opposed by an equal number of riot-equipped state troopers plus a sheriff’s posse, some on them on horseback. The police commander orders the marchers to disperse. The lead marchers kneel to pray. The police charge, running over and through the marchers, hammering them with clubs, chasing the ones who run and hammering them some more. And all this in full view of the cameras of all three networks, which air the footage Sunday evening. ABC interrupts the prime time showing of “Judgment at Nuremberg,” the Oscar-winning film about German war crimes, to air detailed coverage of the beatings.
All across America, the public is aroused and outraged. President Lyndon Johnson asks both houses of Congress to approve a massive civil rights bill, one considered a long shot a few days earlier. They can’t wait to vote.
The coverage of the Vietnam War wasn’t as comprehensively and consistently a success as that of the Civil Rights struggle in the South, but television and print media took on significant new challenges and for the most part met them.
The war was increasingly controversial as the manpower and expenditure demands grew. The public wanted more information faster, and they wanted it to be more definitive. Were we winning or losing? Did it make any difference? Both print and TV reporters recognized that they were sometimes being spun by government briefers, and they became appropriately more skeptical.
In some cases the skepticism was overblown, most notably in the coverage of the Tet offensive early in 1968. North Vietnamese and Vietcong forces briefly captured some cities and other strategically important places, but they were quickly retaken, and the casualty cost to enemy forces was high. The reporting that treated Tet as a major defeat for the Americans was probably wrong. Whether better coverage would have changed the outcome of the war or of the 1968 election, I cannot say.
In any case, success returned by 1971, with the Pentagon Papers case. The New York Times and the Washington Post reconfirmed the right of the press to publish most national security-related information without prior restraint.
And the coverage of the Watergate break-in, dominated by Bob Woodward and Carl Bernstein of the Washington Post, was an even greater success. President Richard Nixon was shown unequivocally to have abused his office for personal political gain and ultimately was forced to resign.
This brings us back to where we started, which is the following question: What changes can we reasonably look for in the current state of American journalism for it to qualify as a new Golden Age, one that matches or even exceeds the two eras I’ve been talking about?
What seems clear to me is that we are not there yet.
Some people, to be sure, think we are already there.
Henry Blodget of Business Insider last summer famously said “Journalism has entered a Golden Age .” And then he helpfully posted backup for his case, and quite a few people agreed with him. His argument basically is that the combination of the web, social media, and the smart hand-held makes it possible for anyone with the talent to just start producing journalism. He says that while some newspapers have closed or contracted, others are “hanging in there” and more native digital news platforms are starting and growing. I encourage you to read his entire argument. I agree with some of it but not all.
On the plus side, I too am thrilled with what the new digital tools can do, in capturing data, drawing knowledge it, and in displaying and distributing that knowledge. I’m also delighted that the barriers to entry have shrunk so dramatically. Instead of spending millions on a printing press, you need only spend a few thousand on a laptop and a website and, boom, you’re a publisher.
But creating millions of lone-wolf, single-person bloggers doesn’t get us to a golden age. It can give us cat photos that make us giggle, news scoops involving an original fact or two, a trenchant analysis of finance or politics or sculpture, video of Miley Cyrus or Taylor Swift nuzzling their latest boyfriends, or possibly some movie and book reviews worth trusting. All nice to have but not game-changing.
If you’re going to reliably produce journalism that improves the world, maybe you don’t need a village, but you need some collaborators. You need lots of reporters. You need editors, data journalists, a lawyer.
If it sounds like I’m trying to restore the primacy of the print newspaper, I’m not. That train has left the station. Instead, it’s time that we embrace the dominance of the web, not just say “Digital First,” but mean it. News platforms are rising frequently on the Internet; some, like BuzzFeed, are amassing huge traffic and edging toward profitability. If I were the young journalists and journalism students here, that’s the kind of team I’d want to join.
Finally, unless you have a hefty trust fund, like the billion-dollar one the Guardian just got , you need to find a way to get paid. In the brief time I’ve been able to spend with you here, I’ve seen a lot of talent, a lot of energy, a lot of determination.
Whatever enterprise you lend those talents to, don’t be afraid or ashamed to ask how you’re going to get paid. It’s no great mystery. The sources have to be advertising, subscription fees, donations, or some combination of them.
Woodward and Bernstein got paid. So did Sy Hersh. And Dan Rather and Richard Valeriani. Ida Tarbell got paid. Sam McClure got paid. And so did William Allen White. They all made a difference. It is your time. I look forward to seeing what you do.